Topic choice #5
- One Gate Icon that I believe would relate to this novel would be over time. Why? This peice of evidence states, "I,d only ever seen one person who had come back, and honestly, he'd seemed like half a berson after that." Which means that after that time, that person had changed. Another peice of evidence would be, "Alchemists like me, mysterterious places where those who grew to close to vampires where dragged off to learns the errors of thier ways." What I think of this would be that she would learn from the mistakes she has made.
0 Comments
Topic Choice #1
In this book the Golden Lilly, by Richelle Mead, the man characters name, Syndey has been sent into hiding in Palm Springs, California, but she had decided to go to college. She had a task to keep the Moroi princess. But something has threatened to kind of destroy the vampire world, and that is what the princess is being protected from. It provides her the ability to reedem herself. Sometimes this has caused her to question most of the things that has been going on around her during this time it seemed very stressful for her and she needed time to think. Topic Choice #3-The Golden lily
The trip to the "underground". I think it was important because it is a place to hide someone that is important to thier vampire world. the Moroi princess (jill), which is the princess of the emortal world. They are trying to keep their world a secret because someone outside of their world might be trying to destroy it. The complications are having to live down there, a small area without many appliances or resources is not very helpfu, it's basically what they rely on to stay alive. The Character Sydney, doesn't have much of a reaction. She states, "Most people would find being led into an underground bunker on a stormy night scary. Not me." "That was why I kept silently reciting facts to myself as I descended deeper and deeper below street level." I believe that sooner or later she will choose to leave. She's risking her life to save her world, she's not afraid. |
AuthorKennya Magana ArchivesCategories |